DISAPPEARANCE OF A TIMBER CONSTRUCTION CULTURE: THE TOWN OF GÖLYAKA
Journal Name:
- Orta Doğu Teknik Üniversitesi Mimarlık Fakültesi Dergisi
Key Words:
Keywords (Original Language):
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Abstract (2. Language):
Disappearance of timber construction culture in the Turkish countryside is an
indication for the loss of architectural merits. It is in a sense the result of
vanishing values of the society related to life, education, economics,
technology and culture. The loss of traditional space qualities and its details
means loosing values in the aesthetical, functional and structural aspects of
architecture. More interestingly, it is this very phenomenon that also caused
the collapse of inadequate buildings at the 1999 earthquakes, and transformed
a natural event into a tragic catastrophe. The disintegration of timber
construction culture started decades earlier perhaps with the introduction of
modern materials and in particular the reinforced concrete construction
system. The choice for this new construction method is based not only in
economic reasons of low-cost, low-maintenance and durability, but also in
social preferences towards modern mode of life.
Yet, timber construction heritage with its design theory and construction
know-how included could be revitalized and rehabilitated with the
contemporary materials and techniques. This re-evaluation is closely related
with improvement in economical, social and cultural features of the whole
society. The evolution of the architectural heritage and appreciation of its
products is necessary for the establishment of contemporary architecture.
Gölyaka town, located close to Düzce between Adapazarı and Bolu, is virtually
on the North Anatolian Fault line. Gölyaka is a typical example in the process
of loss of traditional timber construction culture, and a case in improper use of
modern materials and techniques such as reinforced concrete. The early
settlers of Gölyaka came from various parts of the Ottoman Empire such as
Caucasia, Northern Iraq, Balkans in the late 19th century, and from Eastern
Black Sea during the Republic Era. These migrants brought their timber
construction traditions with their other folkloric assets. Thus, a rich timber
architecture has evolved in and around Gölyaka, mostly in timber framed
houses, some log-cabin houses and the Serander. Serander is a prototype of
grain store, various types of which are widely used in many areas of the world
like Japan, Central Asia, Black Sea Region, Central and Northern Europe.
With the investments of migrant workers in Germany from the region, and
building new houses in Gölyaka especially after 1970's, the construction
tradition of the town began to change. The traditional timber construction
system was abandoned to give way to the so called modern materials and
systems such as reinforced concrete skeleton, and the use of bricks or concrete
blocks as infill material of the walls. In this transformation from timber to
concrete, and from traditional to modern, the general interest is in the 'new'
qualities. Yet this change was guided above all, by the 'new' building
economics. Timber which required periodical maintenance was considered
inferior when compared to the low-maintenance concrete system. At the same
time, timber construction did require skilled workmanship especially in the
intricate joints which are time-consuming and expensive in production. Thus,
timber construction was abandoned and timber construction know-how
gradually disappeared.
On the other hand, the new material, reinforced concrete was inappropriately
designed and applied. In the 17 August and 12 November 1999 earthquakes
most of the concrete buildings collapsed, as in many other towns, causing
immense loss of life. In other words, the community did not only lost track of its traditional construction heritage, but could not establish a sufficient
substitute in terms of modern construction techniques. This general deficiency
could be followed into the components of the traditional timber construction
system in terms of plans, floors and roof construction, foundations and joints.
The major construction failures could be indicated by re-evaluating the
traditional timber knowledge and its degeneration in applications and details.
One of the first architectural loss of value is related to space quality, as
observed in the Karnıyarık house plan type that has been widely used in many
areas of Anatolia, including Gölyaka. Originally, this traditional plan was
composed of two rows of rooms on both sides of a central living room, the
Sofa. But in current practice, Sofa shrunk and was degraded into a wide
corridor, instead of a living room, loosing much of its function and space
quality. Nevertheless, this plan type as applied both in timber and reinforced
concrete houses has some advantages against earthquake forces. Its
symmetrical room arrangement around a central space provides walls with
good resistance against lateral forces. This plan type can be rehabilitated with
some other modifications like kitchen and bathroom cores with masonry walls.
These walls can improve the rigidity of the timber frame. In any case, timber
frame buildings especially in the high earthquake risk areas should not exceed
two storeys, and should be constructed according to the building codes and
manuals. In most of the timber frame houses, the walls are infilled with stone,
mudbrick or brick that increases the weight of the building. Since the effect of
earthquake increases with" the weight of the building, these traditional wall
infill materials should be substituted with contemporary materials like
light-weight building blocks, plastic or metal sidings.
In the construction of exterior walls, attention should be given to Rain Screen
Construction principles and detailing to avoid water penetration into the wall.
Application of structural plywood sheeting on walls by means of glues provides
stressed skin construction that has good resistance against lateral forces. The
wide spacing of studs in traditional framing should be also reduced to intervals
of 40-60cm that are extensively used in contemporary western applications.
The standard sections of studs like 5x10cm should be properly applied in
standard modules. The studs at corners and openings should be doubled or
tripled. Thus, the standardization in building components and the modular
arrangement of the studs provide faster and low-cost construction,
Hence, the traditional heritage as observed in modular window arrangements
should be re-evaluated for modern designs. The decorations on plaster or the
joint design of masonry infill wall are the other aspects that can inspire
modern designs. Traditional wooden lath wall construction has some
advantages as it may prove to have higher resistance to earthquake. But, the
plaster or stucco on laths can be changed to more resistant and durable
compounds applied on metal or plastic laths. The floor construction can
exploit various alternatives like platform, modified platform, independent
floor and balloon framing. The first two systems are more appropriate forms of
framing, and the spacing of the joists should follow the studs' intervals. The
cross section of the joists should be checked according to the maximum
allowable deflection which is between 1/300 or 1/360 of the span. Trussed roofs
should be used instead of traditional hip roofs. Roof trusses provide better
rigidity and stiffness and complement the wall and platform framing of the
structural system.
Heavy roof covering materials like baked earth roof tiles should be avoided, to
reduce the total weight of the building. Instead, asphalt or metal shingles, or
corrugated metal roof plates can be used for roof covering. Sandwich panels
with heat insulation core are the other alternatives for contemporary roof
applications. Traditionally, timber frame was built on masonry ground floor
walls that rest on masonry foundations. These masonry walls protect timber from surface water, snow and termites. In contemporary applications,
continuous foundations made of reinforced concrete can be used and even raft
or pile foundations can be applied in high earthquake risk zones.
Traditionally, connections between structural members like studs, walls and
floor plates etc. are made by interlocking joints, which can also be observed in
other timber construction cultures. In time, universally adopted methods of
producing these joints introduced metal connectors like nails, screws, claw
plates etc., which provide faster construction and less qualified labour. Many
traditional joint designs have been devised to cope with specific structural
needs, location in the building and exposure conditions. Some of these
interlocking joints can be adapted to computer-aided manufacturing
processes, as the advantages of these joints can be evaluated and joint carving
culture can be transformed for modern needs. Some of the western countries
have been evaluating other cultures' timber construction knowledge such as
the outstanding Japanese timber craft. The missing items in the Anatolian
timber heritage should be re-evaluated in the same manner with the know-how
of these countries.
One of the original timber building types of the local construction culture, is
the serander, traditionally used as an ancilliary storage unit, which in the
process of 'development' lost its conventional details and qualities. Instead,
reinforced concrete columns are cast to bear an elevated timber storage space.
The other traditional items not commonly used today any more are the built-in
furniture like cupboards, seats, shelves etc. These precious features of the
Turkish house were originally designed to meet the needs of daily life.
Unfortunately, these items are substituted today by common furniture that can
be found anywhere. The original space qualities are thus lost, and the
community is alienated from its traditional furniture.
Timber is a lightweight, environment-friendly material with features that goes
well with standardization and modular coordination. Timber can be used both
in industrialized building technologies like prefabrication, or in in-situ
construction of the modified traditional systems. There is an important timber
construction heritage in Gölyaka as in most of Anatolia. In order to harness
this knowledge, the missing items should be rehabilitated with the
contemporary materials and technologies. Timber frame construction also has
advantages against earthquake forces, but special precautions should be taken
against fire, moisture, water and wood-boring insects. In this rehabilitation
process, while technology and knowledge of the global world is used, local
cultural values should also be protected. Among these values are plan
typologies, building images, decorations on facades, built-in furnitifres that
evolved over centuries. These inherited items of the traditional construction
should be incorporated within the contemporary materials and technologies
for modern use.
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Abstract (Original Language):
Türkiye'de uzun yıllardır tasarım ve inşaat sürecindeki bazı yanlış uygulamalar
ile yapıların çatkısal unsurları ya yanlış uygulanmış, ya da yok edilmiştir.
Böylece yapıların gerek mimari değerleri, gerekse sağlamlıkları kaybolmuştur.
1999 depremlerinde yıkılan binalar bu uzun sürecin sonuçlarından yalnızca bir
bölümünü oluşturur. Bu sonuçta, yapı edinme sürecinde yükümlülük sahibi
olan meslek guruplarına ve özellikle mimarlara çok büyük bir sorumluluk payı
düşmüştür. Böylece konuyla ilgili herkes tarafından yeniden düşünülmesi ve
düzeltilmesi gereken bir çok husus ortaya çıkmıştır.
Anadolu'nun kasaba gibi kimi küçük yerleşimleri, kendilerine kimlik veren
mütevazi bir mimariye sahiptir. Bu yapılar ait oldukları dönemlerle, bazen geç
Osmanlı, bazen Modern veya başka mimari imgeleri ile bizlere belirli
değerlere sahip olduklarını göstererek fiziki çevremize anlam katarlar. Bu
yapılardan bazıları Milli Mimarlık döneminin kimi geniş saçaklı ve kemerli
pencereli örnekleri olan tren istasyonu, belediye, hükümet konağı, ilkokul veya
adliye yapılarıdır. Sivil mimari örnekleri olan evler ise, yöreye özgü taş, tuğla,
ahşap, kerpiç gibi malzemelerden ve kargir, hımış, bağdadi gibi duvar ve
yöresel yapı teknikleriyle oldukça basit bir şekilde oluşturulmuştur. Bütün bu
yapılar, insanlar ile çevreleri arasında karşılıklı ve anlamlı bir ait olma ilişkisi
kurarken, bazen toplumun önem verdiği değerleri de simgelerler. Özellikle
kamu yapılarında toplumun değişmez ve eskimez değeri olan Cumhuriyet,
mimari üslup olarak karşılık bulur. Günümüzde, Gölyaka'da bu mimari değerlerden çoğu kaybolmuştur. Modern malzemelerle yapılmış bir Belediye
binası bizim özdeşleştiğimiz yapılardan değil; okullar da öyle. Gölyaka'da,
kamu yapıları mimari olarak hiç bir yapısal veya sembolik değeri ifade etmiyor.
Konut mimarisi de özgün durumundan çok, değişiklikler geçirerek yapısal
niteliklerini kaybetmiş ve sonunda pek çok Anadolu kentinde olduğu gibi, ne
yazık ki, betonarme tek yapı seçeneği olarak kalmış görünmektedir (Resim 1).
Tasarım kültüründen mahrum yapılar oluşturmak, nasıl mimarlığı sadece bir
yapı zanaatine indirgiyorsa, benzer şekilde, yapı kültür ve bilgisinden
soyutlanmış bir tasarım da fantazi, soyut ve spekülatif bir mimarinin ötesine
geçemiyor (2). Geçmişin yapı zanaati ve mimarlık birikimi, çağdaş anlayış ve
tekniklerle bütünleşerek mimarlık kültürüne dönüşmedikçe, geçmişten
geleceğe bu değerli mirasın aktarılmasında bugüne ait önemli bir halka eksik
kalır. Sonuç olarak, mimarlık kültürünün günümüzde yaşatılmasında zorluklar
çekilir ve bu miras giderek yozlaşarak yok olur. Bu kültürün yok olmamasının
çareleri nedir, nasıl yaşatılır gibi sorulara cevap aranarak, aradaki eksik olan
halka tamamlanmalıdır. Mimarlık kültürünü geçmişten geleceğe taşıyan bağ,
ancak mimarlık mirası olarak kalan soyut değerlerin, özellikle estetik
değerlerin önemsenmesi, günümüze yorumlanarak taşınması ile mümkün olur.
Daha somut olan ve geçmişe ait çatkısal bilgi ve yapı yapma geleneklerinin
sürdürülebilmesi ise, çağdaş malzeme ve tekniklerle yenilenmesi ile sağlanır.
Soyut değerler aslında ustanın, dülgerin ya da tasarımcının yaşama, yaptığı işe
duyduğu saygı ve sevgi ile başlar. Yaşam tarzı ile bütünleşmiş mekanlar,
formlar ve imajlar bu tasarım kültür birikimini oluşturur. Bu birikimden
günümüzde faydalanmak, bu zengin form havuzundan örnekleri yorumlayarak
biçim üretmenin ötesine geçmek olmalıdır. Aslında geçmişten öğrenilmesi
gereken ilk konu, tasarım kuramı ile uygulamanın birbirinden ayrılamazlığı ve
tasarımın bu bütünlük anlayışı içinde oluşmasıdır. Günümüzde mimarlık
mesleği içinde uzmanlaşan alt konuların giderek birbirlerinden uzaklaşması ve
yabancılaşması kaçınılmaz görünse de, tasarım, çatkı ve inşa sürecindeki bu
ayrışmaya izin verilmemelidir. Halbuki yapı yapmanın önemli bir bölümünün
tasarım kadar, yapı çatma sanatı ile oluştuğu, geçmişte doğal görülmekteydi.
Gölyaka'daki yapılarda ve özellikle ahşap konutlarda bu tarihsel birikimin iyi
değerlendirilmediği görülmüştür. Ahşap yapı kültürü Anadolu yapı bilgisi
birikiminde özel bir yer tutar. Bu kültürün çatkısal, malzeme ve estetik
unsurlarındaki değer kaybı, bu çalışmada Gölyaka örneğinde incelenmiş, ahşap
konutlardaki değer yitimi ve özellikle de zaman içinde oluşan yapısal hata ve
eksiklikler irdelenmiştir. Ahşap yapılar döşeme, çatı, temel gibi alt yapı
bileşenlerine ayrılarak incelenmiş ve iyileştirilmeleri için çözüm önerileri gösterilmiştir.
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