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FELSEFEDEN TİYATROYA KÜLTÜRLERARASI ETKİLEŞİM SÖYLEMİ

Journal Name:

  • İstanbul Üniversitesi Tiyatro Eleştirmenliği ve Dramaturji Bölüm Dergisi

Publication Year:

  • 2005
Author NameUniversity of AuthorFaculty of Author
Abstract (2. Language): 
In this article it is discussed the process of convertion of the fact “intercultural relations” to a discourse in philosophy and theatre. In the first part of the article, it is examined the discussions in philosophy in terms of intercultural relations in Europa and especially in Germany. What is the main aim of intercultural relations? What are the obstacles? What sort of attitudes are observed when encountered the “stranger”? What are the conditions of understanding the “stranger”? As it is considered that the answers of the questions may be given more easily in artistic platform, in the article it is analysed the reflections of the intercultural relations discourse in theatre. The book “Der Mohr im Mor” by Gabriele Pfeiffer, trying to systematise the plays analysed under the title of “intercultural relations in theatre” is taken as a source in the second part of the article. The performances and works by Theatre an der Ruhr could be considered as convenient plays for the discription of “intercultural relations in theatre” improved by Pfeiffer in her book. The article comes an end with the evaluation of Theatre an der Ruhr’s own discourse of intercultural relations in terms of power-knowledge equation established by Foucoult.
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  • 7
87-103
  • Turkish

REFERENCES

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