ALI M LAMA ESTETİĞİ VE BELGESEL SİNEMA AÇINIMLARI

As the new approaches begin to appear in the understanding and interpreting the modern Documentary Film, some new dimensions are added to the production and consumption values. The underestimated value of the individual's cognitive factors and the cyclical form of the Documentary film give way to the new realization of the questions asked before such as how the new aspects of the documentary film could be emphasized and acknowledged in a deeper sense. Hermeneutics and reception aesthetics give us some clues on how the people see the things they watch and how they associate the new and old information in their cognitive system. As the researches concentrate more on the receiver, the sender -in this case, it is the film producer or the scenario writer,.